
The world of antiques has long been a male-dominated industry – until now. On the 40th anniversary of The Antiques Roadshow, Stylist meets three women who are shaking up the antiques business, and talks to two experts about why women are now embracing the industry.
If your idea of the antiques business is one where claret-cheeked chaps in plum-coloured corduroys rub alongside shady geezers, fists stuffed with cash, straight out of old episodes of Lovejoy, then think again. Auctioneers Izzie Balmer and Chloe Wood, along with retail manager Harriet Chavasse, are busy banging the gavel for change.
Every day, these three young women spend their days as treasure hunters, champions of eco-conscious shopping and lucrative deal-makers. So dust off your pre-conceptions about antiques and meet three women carving out their futures by dealing in the past…
Izzie Balmer, 30, Auctioneer at Wessex Auction Rooms, Wiltshire
How did you become an auctioneer?
After I finished my degree I had no money, no job and nowhere to live. So I did some work experience at the local auction house [and went from there].
What’s a typical day?
There isn’t one! I can be meeting clients, valuing silver and jewellery, cataloguing and photographing items, out on valuation days, then on the rostrum taking the auction.
What do you enjoy the most?
The variety. I love the thrill of finding a hidden treasure in a box of costume jewellery, like the little Victorian moonstone brooch that I recently sold for over £300.
What’s the most expensive item you’ve sold?
An oil painting by a Derbyshire painter called George Turner. These would usually fetch between £3,000 to £7,000, but this one sold for £22,000.
“People have items that are beautiful or worth a lot of money, and they have absolutely no idea”
What’s it like being an auctioneer?
It’s so exciting. There are bids flying everywhere on the internet, on the phone, in the room and commissions on the books – there can be a lot of drama and good tension.
What’s surprised you the most?
People have items that are beautiful or worth a lot of money, and they have absolutely no idea.
What are the challenges?
There’s always something to learn. I speak to people in their 80s [who work in the industry] and they still don’t know it all! It’s part of the joy of it.
Is the industry still male-dominated?
I do sometimes get older men presuming that I don’t know anything. It’s just a matter of overcoming their pre-conceived ideas, winning them round and gaining their confidence.
How is it changing?
We’re a young team at Wessex Auction Rooms, so we’re defying that traditional image to show that antiques and auctions are cool.
What do your friends think of your career?
That it’s a fusty, fuddy-duddy industry. But that’s 100% wrong; it’s not boring at all, it’s a fascinating, interesting job.
What’s your most memorable experience?
I had some clients whose mum had passed away, and in a box of costume jewellery there was an arts and crafts silver brooch by British jeweller George Edward Hunt. I sold it for £2,100. They were absolutely overjoyed.
Harriet Chavasse, 31, Retail Manager, Thakeham Furniture, Petworth, West Sussex
How did you get started?
I grew up surrounded by antiques. I trained as a graphic designer, but I didn’t like sitting at a computer all day, so I started working in my mum and dad’s business. That was six years ago. I fell in love with it.
What do you love about it?
Being around old things that are so tactile. The patina means that you can’t help but stroke pieces as you walk past. I find some comfort in it, especially in an age filled with technology and gadgets.
What’s a typical day?
I do a bit of everything, and I’ve never had a job where every day is so different. My tasks can include answering emails, organising deliveries, photographing each piece, writing descriptions for our website, dealing with customers.
What do your friends think of your job?
They love it! They think I’m like an old witch who works in a dusty antiques shop. They come to see me and think it’s fascinating.
Is the industry still male-dominated?
Yes! I won’t lie. But it’s gotten so much better as I’ve gotten older. For ages customers would come in and say, ‘Oh, is your father in?’ and I would say, ‘No, I’m in charge, how can I help?’.
Are young people buying antiques?
Yes – eclecticism is really big now. People don’t have to stick to one period, it’s much more about the overall aesthetic. They’ve seen something on Pinterest and want to emulate it.
Chloe Woods, 23, Auctioneer, cataloguer and valuer at Mallams in Oxfordshire
How did you get into antiques?
My grandmother was a collector/borderline hoarder. I would sit in her living room for hours drinking cups of lemonade, fascinated by looking at things in the room that were from a world I didn’t know.
What’s a typical day?
Every day is different – you don’t know what could be brought in the door or found in the next property. You may have a day of research and cataloguing, or it could be a sale day.
What skills do you need?
There is no required qualification and no history degree prepares you for what you’ll see. You have to love what you do, be keen to learn, and a good memory helps! Good ‘people skills’ are a must.
What surprises you?
The amount of things people get rid of; the throw-away culture we live in today is frightening.
“Some of my teachers at school told me this was ‘not a wise career move’”
What’s most challenging?
Amassing the required knowledge. I’m a general valuer, which means knowing everything about every object that comes through the door. My goal is to learn at least one new thing every day.
What do your friends think of your career?
They have mixed opinions. Some are very supportive and see it as unusual or interesting; others thought I’d never be able to make a living out of it. Some of my teachers at school said it was ‘not a wise career move’.
What’s been your best experience?
That’s a tricky one! I’ve seen so many beautiful and rare things. Probably taking to the rostrum for the first time and the nod of approval from my colleagues.
Does the industry attract young women?
There are more women joining the industry, which is a great thing to see. However, there is a long way to go to balance the numbers.
Would you encourage young women to enter the industry?
I would encourage anyone who has a genuine love of the job/industry to get involved, regardless of their gender. If you love history and want to learn about the past, then art and antiques can be a great way to go. But it can be very demanding – if you don’t love it, don’t do it.
Roo Irvine is the newest recruit to the BBC’s Bargain Hunt and a regular on Antiques Road Trip. She also runs Kilcreggan Antiques in Argyll & Bute, Scotland.
“My advice to women thinking about entering the antiques industry? Don’t hesitate. As someone who worked in the online gaming industry when it was 95% male-dominated, I find the antiques industry is welcoming and warm.
“I think it’s becoming more mainstream, thanks to the influx of TV programmes which move antiques away from the traditional audience and make it accessible to every class, race, age and sex. It’s the easiest and perhaps the least intimidating time to join such an intriguing and fascinating industry.”
Antiques Roadshow expert Lisa Lloyd
Antiques Roadshow expert Lisa Lloyd has worked in antiques for over 25 years, including 16 years as an auctioneer and director of Rosebery’s in South London. She now runs an art and antiques business in Wiltshire.
“When I started out in the auction world in the mid-Eighties, female roles were largely administrative. I felt I was slightly breaking the mould as a female auctioneer. Later, as a company director in the Nineties, I was always saddened by the lack of female applicants for vacant roles. It’s been heartening in recent years to see more young women visibly working in the business – the diversity can bring a lot to any industry.
“It can be a very rewarding career, you never stop learning and for anyone with a passion for history or design and a willingness to work hard I highly recommend it.”
Article in the Stylist.co.uk

21 JULY – 5 AUGUST11.00am – 6.00pmPaintings, Drawings, Etchings, Linocuts. Glass, Textiles, Ceramics, Woodcarving, Jewellery, Sculpture.FREE ART WORKSHOPS AT WEEKENDS – ART DEMONSTRATIONS – POP UP CAFE
17 JULY – 4 AUGUST12.00pm – 10.00amIt’s the festival’s landmark 40th anniversary summer festival, which runs from Tuesday 17th July – Saturday 4th August 2018. This promises to be a hugely special year with a series of hugely special concerts and events. More details to follow!
14 – 22 APRIL11.00am -4.00pmDavid Humphreys has lived in Sussex for over fifty years. We first exhibited his work over a decade ago and now at 80 he is still at the height of his powers and pushing his work in new directions. David’s work is rooted in the landscape, He loves to walk, to Cissbury or Chanctonbury and down to the sea. Otherwise as Far as Black Cap or the Kingly Vale … across the vinyards and down through the park to Petworth. Influenced by the poetry of Edward Thomas he is a lyrical painter in the British pastoral tradition.When not in Sussex, David is drawn to the far flung corners of the British Isles, setting forth in his red camper van. He responds to the purity and geography of these places. The vast sweeps of deserted beaches running into sheltered coves, the ancient hills swathed in mist, the bare rocks, coarse grass and whitewashed cottages hugging the shore or nestled in the dip of a farmland. With his luminous but restrained palette, his feeling for rhythm and form Humphreys celebrates the land as a life force. He has shown throughout Britain, New York, South America and on the Continent. A regular exhibitor at the Royal Academy he is represented in many private, corporate and museum collections including the Arts Council of Great Britain and the National Library of Wales.14th to 22nd April Open daily: 11am to 4pm (Sunday: 11am to 1.30pm)And by appointment until 29 AprilPRIVATE VIEWSSaturday 14 April 5pm – 7pmSunday 15 April 11am – 1.30pm
Royal Opera House LIVEYour local community cinema is now also a great place to enjoy live arts events. With your support we have upgraded the Leconfield Hall’s technical equipment to enable live streamed theatre, opera, ballet and music for you enjoyment.We’re starting off in 2018 with a series of live events from Royal Opera House. The performance will be beamed live to our cinema screen in full 7.1 surround sound. Tickets £16 in advancePlease arrive at least 15 mins before the performance begins.
25 – 26 NOVEMBER10.00am – 6.00pmWe are pleased to announce our Christmas Exhibition Weekend which will be running from 10am-6pm on Saturday 25th and Sunday 26th November. We have been collecting some beautiful original artwork from some of the most popular Forest Gallery artists as well as some exciting new artists!Join us for a glass of bubbly to welcome in the festive season amongst some fabulous art. An exciting display of artwork from select British and International artists will be on show to help you find the perfect painting this Christmas. A small selection of the artworks are featured below and are available to reserve before the event itself so if anything catches your eye please get in touch with us. There are also a limited number of printed invitations available. To request one of these please email the gallery
Heritage Open Days is England’s largest festival of history and culture, bringing together over 2,500 organisations, 5,000 events and 40,000 volunteers. Every year for four days in September, places across the country throw open their doors to celebrate their heritage, community and history. It’s your chance to see hidden places and try out new experiences – and it’s all FREE.Heritage Open Days 2017 will be 7-10 September.Plenty of places open in and around the Petworth area, so please go along as it will be well worth it.
A message from our Artistic Director…The 39th Petworth Festival has come and gone, but it will absolutely live in the memory such was the sequence of stellar performances over our very special two and a half weeks. People will inevitably differ on their personal favourites, but I have received nothing but the highest praise for the events featuring Roderick Williams, Cedric Tiberghien, The AKA Trio, The Old Blind Dogs & L’Avventura, Piers Adams and the EUCO, The Alex Mendham Orchestra – and many others. And anyone who failed to be lifted off their feet on the final evening featuring Martynas Levickis and his Lithuanian Mikroorkéstra colleagues….Whilst I always have mixed feelings when a festival comes to an end, we have particular reason to keep the energy going this time around. Quite apart from an amazing literature festival line up (due to be announced at the end of September), we also have the 40th Petworth Festival in our sights for next summer, with a very significant programme of events already lined up to suitably mark that anniversary. It almost goes without saying that we look forward to seeing you then, but do please look out the for our announcements on the subject, and do block off your diary for the entire period of Tuesday 17th July to Saturday 4th August 2018. You won’t want to miss a thing!Whether an audience member, Friend, Patron, sponsor or sponsor-to-be (!) thank you for being with us in July 2017, and here’s to a wonderful 40th year…Stewart CollinsArtistic DirectorTo book tickets for all events, or find out more about how you can be involved in the 40thAnniversary year in 2018, please visit: 








1 MAY – 31 JULYJoin a free 45 minute guided tour and discover intriguing stories behind selected royal portraits from Petworth’s extraordinary art collection. Booking Not Needed. Assistance Dogs only are welcome.A National Trust Event – Gates open 10:00. Start 11:30. End 14:30. Free Entry. Tours are free of charge, tickets available on a first come, first served basis from Mansion Reception. Subject to availability. Not available on Bank Holidays. For more details please phone the contact number below.