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Turner at Petworth

14 NOVEMBER 2019 – 18 MARCH 2020

10.00am – 4.00pm

Turner (1775-1851) was a regular visitor to the house in the 1820s and 30s as the guest of the 3rd Earl of Egremont. The twenty Turner oil paintings collected and commissioned by the 3rd Earl from 1802 onwards are still at Petworth for visitors to enjoy which offers a rare opportunity to view a significant body of Turner’s works in the setting for which they were acquired.

This event is free, but normal admission charges apply for the venue.

Meet the millennial women dusting down the antiques profession

The world of antiques has long been a male-dominated industry – until now. On the 40th anniversary of The Antiques Roadshow, Stylist meets three women who are shaking up the antiques business, and talks to two experts about why women are now embracing the industry.

If your idea of the antiques business is one where claret-cheeked chaps in plum-coloured corduroys rub alongside shady geezers, fists stuffed with cash, straight out of old episodes of Lovejoy, then think again. Auctioneers Izzie Balmer and Chloe Wood, along with retail manager Harriet Chavasse, are busy banging the gavel for change.

Every day, these three young women spend their days as treasure hunters, champions of eco-conscious shopping and lucrative deal-makers. So dust off your pre-conceptions about antiques and meet three women carving out their futures by dealing in the past…

Izzie Balmer, 30, Auctioneer at Wessex Auction Rooms, Wiltshire

How did you become an auctioneer? 

After I finished my degree I had no money, no job and nowhere to live. So I did some work experience at the local auction house [and went from there].

What’s a typical day? 

There isn’t one! I can be meeting clients, valuing silver and jewellery, cataloguing and photographing items, out on valuation days, then on the rostrum taking the auction. 

What do you enjoy the most? 

The variety. I love the thrill of finding a hidden treasure in a box of costume jewellery, like the little Victorian moonstone brooch that I recently sold for over £300. 

What’s the most expensive item you’ve sold? 

An oil painting by a Derbyshire painter called George Turner. These would usually fetch between £3,000 to £7,000, but this one sold for £22,000. 

“People have items that are beautiful or worth a lot of money, and they have absolutely no idea”      

What’s it like being an auctioneer?

It’s so exciting. There are bids flying everywhere on the internet, on the phone, in the room and commissions on the books – there can be a lot of drama and good tension. 

What’s surprised you the most?

People have items that are beautiful or worth a lot of money, and they have absolutely no idea.

What are the challenges?

There’s always something to learn. I speak to people in their 80s [who work in the industry] and they still don’t know it all! It’s part of the joy of it. 

Is the industry still male-dominated? 

I do sometimes get older men presuming that I don’t know anything. It’s just a matter of overcoming their pre-conceived ideas, winning them round and gaining their confidence. 

How is it changing?

We’re a young team at Wessex Auction Rooms, so we’re defying that traditional image to show that antiques and auctions are cool.

What do your friends think of your career?

That it’s a fusty, fuddy-duddy industry. But that’s 100% wrong; it’s not boring at all, it’s a fascinating, interesting job. 

What’s your most memorable experience? 

I had some clients whose mum had passed away, and in a box of costume jewellery there was an arts and crafts silver brooch by British jeweller George Edward Hunt. I sold it for £2,100. They were absolutely overjoyed.

Harriet Chavasse, 31, Retail Manager, Thakeham Furniture, Petworth, West Sussex

How did you get started? 

I grew up surrounded by antiques. I trained as a graphic designer, but I didn’t like sitting at a computer all day, so I started working in my mum and dad’s business. That was six years ago. I fell in love with it. 

What do you love about it?

Being around old things that are so tactile. The patina means that you can’t help but stroke pieces as you walk past. I find some comfort in it, especially in an age filled with technology and gadgets. 

What’s a typical day? 

I do a bit of everything, and I’ve never had a job where every day is so different. My tasks can include answering emails, organising deliveries, photographing each piece, writing descriptions for our website, dealing with customers.

What do your friends think of your job?

They love it! They think I’m like an old witch who works in a dusty antiques shop. They come to see me and think it’s fascinating.

Is the industry still male-dominated? 

Yes! I won’t lie. But it’s gotten so much better as I’ve gotten older. For ages customers would come in and say, ‘Oh, is your father in?’ and I would say, ‘No, I’m in charge, how can I help?’. 

Are young people buying antiques?

Yes – eclecticism is really big now. People don’t have to stick to one period, it’s much more about the overall aesthetic. They’ve seen something on Pinterest and want to emulate it. 

Chloe Woods, 23, Auctioneer, cataloguer and valuer at Mallams in Oxfordshire

How did you get into antiques? 

My grandmother was a collector/borderline hoarder. I would sit in her living room for hours drinking cups of lemonade, fascinated by looking at things in the room that were from a world I didn’t know.

What’s a typical day? 

Every day is different – you don’t know what could be brought in the door or found in the next property. You may have a day of research and cataloguing, or it could be a sale day.

What skills do you need?

There is no required qualification and no history degree prepares you for what you’ll see. You have to love what you do, be keen to learn, and a good memory helps! Good ‘people skills’ are a must. 

What surprises you?

The amount of things people get rid of; the throw-away culture we live in today is frightening.

“Some of my teachers at school told me this was ‘not a wise career move’”

What’s most challenging?

Amassing the required knowledge. I’m a general valuer, which means knowing everything about every object that comes through the door. My goal is to learn at least one new thing every day.

What do your friends think of your career?

They have mixed opinions. Some are very supportive and see it as unusual or interesting; others thought I’d never be able to make a living out of it. Some of my teachers at school said it was ‘not a wise career move’.

What’s been your best experience?

That’s a tricky one! I’ve seen so many beautiful and rare things. Probably taking to the rostrum for the first time and the nod of approval from my colleagues.

Does the industry attract young women?

There are more women joining the industry, which is a great thing to see. However, there is a long way to go to balance the numbers.

Would you encourage young women to enter the industry?

I would encourage anyone who has a genuine love of the job/industry to get involved, regardless of their gender. If you love history and want to learn about the past, then art and antiques can be a great way to go. But it can be very demanding – if you don’t love it, don’t do it.

Roo Irvine is the newest recruit to the BBC’s Bargain Hunt and a regular on Antiques Road Trip. She also runs Kilcreggan Antiques in Argyll & Bute, Scotland.

“My advice to women thinking about entering the antiques industry? Don’t hesitate. As someone who worked in the online gaming industry when it was 95% male-dominated, I find the antiques industry is welcoming and warm. 

“I think it’s becoming more mainstream, thanks to the influx of TV programmes which move antiques away from the traditional audience and make it accessible to every class, race, age and sex. It’s the easiest and perhaps the least intimidating time to join such an intriguing and fascinating industry.”

Antiques Roadshow expert Lisa Lloyd 

Antiques Roadshow expert Lisa Lloyd has worked in antiques for over 25 years, including 16 years as an auctioneer and director of Rosebery’s in South London. She now runs an art and antiques business in Wiltshire.

“When I started out in the auction world in the mid-Eighties, female roles were largely administrative. I felt I was slightly breaking the mould as a female auctioneer. Later, as a company director in the Nineties, I was always saddened by the lack of female applicants for vacant roles. It’s been heartening in recent years to see more young women visibly working in the business – the diversity can bring a lot to any industry. 

“It can be a very rewarding career, you never stop learning and for anyone with a passion for history or design and a willingness to work hard I highly recommend it.”     

Article in the Stylist.co.uk

David Humphreys Exhibition

14 – 22 APRIL11.00am -4.00pmDavid Humphreys has lived in Sussex for over fifty years. We first exhibited his work over a decade ago and now at 80 he is still at the height of his powers and pushing his work in new directions. David’s work is rooted in the landscape, He loves to walk, to Cissbury or Chanctonbury and down to the sea. Otherwise as Far as Black Cap or the Kingly Vale … across the vinyards and down through the park to Petworth. Influenced by the poetry of Edward Thomas he is a lyrical painter in the British pastoral tradition.When not in Sussex, David is drawn to the far flung corners of the British Isles, setting forth in his red camper van. He responds to the purity and geography of these places. The vast sweeps of deserted beaches running into sheltered coves, the ancient hills swathed in mist, the bare rocks, coarse grass and whitewashed cottages hugging the shore or nestled in the dip of a farmland. With his luminous but restrained palette, his feeling for rhythm and form Humphreys celebrates the land as a life force. He has shown throughout Britain, New York, South America and on the Continent. A regular exhibitor at the Royal Academy he is represented in many private, corporate and museum collections including the Arts Council of Great Britain and the National Library of Wales.14th to 22nd April    Open daily: 11am to 4pm     (Sunday: 11am to 1.30pm)And by appointment until 29 AprilPRIVATE VIEWSSaturday 14 April 5pm – 7pmSunday 15 April 11am – 1.30pm

PFH Live Arts – New for 2018

Royal Opera House LIVEYour local community cinema is now also a great place to enjoy live arts events.  With your support we have upgraded the Leconfield Hall’s technical equipment to enable live streamed theatre, opera, ballet and music for you enjoyment.We’re starting off in 2018 with a series of live events from Royal Opera House.  The performance will be beamed live to our cinema screen in full 7.1 surround sound.  Tickets £16 in advancePlease arrive at least 15 mins before the performance begins.

CHRISTMAS EXHIBITION WEEKEND

25 – 26 NOVEMBER10.00am – 6.00pmWe are pleased to announce our Christmas Exhibition Weekend which will be running from 10am-6pm on Saturday 25th and Sunday 26th November.  We have been collecting some beautiful original artwork from some of the most popular Forest Gallery artists as well as some exciting new artists!Join us for a glass of bubbly to welcome in the festive season amongst some fabulous art.  An exciting display of artwork from select British and International artists will be on show to help you find the perfect painting this Christmas.  A small selection of the artworks are featured below and are available to reserve before the event itself so if anything catches your eye please get in touch with us.  There are also a limited number of printed invitations available.  To request one of these please email the gallery sales@forestgallery.com 

Heritage Open Days

Heritage Open Days is England’s largest festival of history and culture, bringing together over 2,500 organisations, 5,000 events and 40,000 volunteers. Every year for four days in September, places across the country throw open their doors to celebrate their heritage, community and history. It’s your chance to see hidden places and try out new experiences – and it’s all FREE.Heritage Open Days 2017 will be 7-10 September.Plenty of places open in and around the Petworth area, so please go along as it will be well worth it. 

Spectacular Summer with Petworth Festival

A message from our Artistic Director…The 39th Petworth Festival has come and gone, but it will absolutely live in the memory such was the sequence of stellar performances over our very special two and a half weeks. People will inevitably differ on their personal favourites, but I have received nothing but the highest praise for the events featuring Roderick Williams, Cedric Tiberghien, The AKA Trio, The Old Blind Dogs & L’Avventura, Piers Adams and the EUCO, The Alex Mendham Orchestra – and many others. And anyone who failed to be lifted off their feet on the final evening featuring Martynas Levickis and his Lithuanian Mikroorkéstra colleagues….Whilst I always have mixed feelings when a festival comes to an end, we have particular reason to keep the energy going this time around. Quite apart from an amazing literature festival line up (due to be announced at the end of September), we also have the 40th Petworth Festival in our sights for next summer, with a very significant programme of events already lined up to suitably mark that anniversary. It almost goes without saying that we look forward to seeing you then, but do please look out the for our announcements on the subject, and do block off your diary for the entire period of Tuesday 17th July to Saturday 4th August 2018. You won’t want to miss a thing!Whether an audience member, Friend, Patron, sponsor or sponsor-to-be (!) thank you for being with us in July 2017, and here’s to a wonderful 40th year…Stewart CollinsArtistic DirectorTo book tickets for all events, or find out more about how you can be involved in the 40thAnniversary year in 2018, please visit: www.petworthfestival.org.ukDon’t forget to join us on Facebook or Twitter and please share with us your festival stories, favourite events and reviews.

Autumn Exhibition at Moncrieff Bray Gallery

30 SEPTEMBER – 21 OCTOBEROpen Wed to Sat:  11 am to 4 pm and by appointment at any time please just call ahead.Oona Campbell: Recent PaintingsAbstract landscapes by Jonathan Gibbs, Susie Leiper, Tuëma Pattie and Sarah Warley-CummingsOona Campbell’s recent paintings are united by the dramatic cloudscapes that roll across our skies and nature’s light effects especially at dawn and dusk.  A group of paintings of Petworth Park Lake at sunset forms the focus of the show together with images of  the long sandy beach of West Wittering.  Further afield, Oona exploresthe mist of an early morning onthe Jurassic coast of Dorset and the wild moors  of Scotland’s Applecross Peninsular.  The paintings are a combination of observation and memory; enablinga vivid reliving of the dynamic qualities of  watery mist, the setting of the sun, lashing storm rain, or the aural turbulence of thunder.Juxtaposed with Oona’s figurative work is an exhibition exploring the use of abstraction in the landscape.  Tuëma Pattie lives in Duncton and has painted both the Sussex landscape and further afield. She is a long-term exhibitor at the gallery with her exuberant paintings celebrating the joy of nature.  Sarah Warley-Cummings is another Sussex artist who has made a series of abstract prints exploring the shapes and colours of the countryside. We are very lucky to exhibit two Scottish artists.  Susie Leiper, whose work combines calligraphy and landscape.   One of the country’s finest calligraphers she is also trained in the techniques of Chinese art.  Her work unites eastern and western traditions of painting.   Jonathan Gibbs is a senior tutor at Edinburgh College of Art and a leading wood engraver his multi-layered paintings  combine present observation with a life-time of images and motifs remembered.  

World Class Music and Comedy in the Sussex Downs

World Class Music and Comedy in the Sussex DownsTicket sales for this year’s Petworth Festival (12th- 29th July) have started really strongly with some performances already sold out. This summer for over a fortnight, the well-established cultural extravaganza boasts an incredible line up of artists and the best talent to appear outside London.  The diversity of the programme – featuring world-class classical musicians including Roderick Williams and Iain Burnside, Natalie Clein and Cédric Tiberghien, comedic national treasures such as Angus Deayton’s Radio Active, Hal Cruttenden and the inimitable Rainer Hersch Orkestra, a pop up exhibition from local schools supported by West Sussex Young Arts and outdoor family theatre in Bignor Park– makes it an event for everyone with tickets starting at just £6 for adults and a limited amount of FREE tickets for 18s and under at some events.Talking about this year’s festival, Artistic Director Stewart Collins commented: “I love seeing the sold out sign going up against festival events and they’ve already started appearing. We’ve even had to add an extra show in one case ‘by popular demand’, so everything is going in the right way. All I would say is don’t leave it too late. With top quality performers in our intimate venues Petworth Festival events are always high octane and we absolutely hate turning people away!”Other highlights include:
  • BBC Radio 4 Comedy hit Radio Active featuring Angus Deayton, plus the magical Card Ninja
  • A brand new adaptation of Orpheus Caledonius, one of the most important traditional works in 18th century Scottish folk music, presented by violinist Zak Ozmo, early music ensemble L’Avventura and Scottish traditional group, Old Blind Dogs
  • Top classical artists including Natalie Clein (cello), Cedric Tiberghien (piano), Chloe Hanslip (violin) and The Coull Quartet
  • Jess Robinson’s stand out, stand up show from Edinburgh Festival: Impressive… and we’re certain it will be!
  • A ‘Come and Sing’ event for all-comers with Ben Parry featuring the classic and much loved The Sound of Music.
  • Frances Hatch’s new exhibition Impromptu at Kevis House Gallery featuring drawings based on dancers and musicians in rehearsal, which will be on show for the entire duration of the Festival.
  • The superhero duo of Tommy Foggo and his cello will create a fantastical world of music and performance for families at Leconfield Hall.
  • A Duo of concerts featuring musicians from the Royal Academy of Music including Lucy Humphris (trumpet) and Harry Rylance (piano) on 14th July, and Hao Zi Yoh (piano) on the 26th July.
  • Lyricist to Donna Summer and multiple Grammy nominee, Pete Bellotte, presents The Unround Circle in a literary event packed with entertaining stories of his work in the music industry.
  • There’s an extra date, due to popular demand for the raffish cabaret duo Bounder and Cad. They’ve entertained royalty and prime ministers and now they are here to sing for us!
This year also sees the first Artistic Director’s Trail in which we encourage audiences to try something new and outside their normal comfort zones. For more information, see the website for video blogs and catch up with the festival on social media.The annual Jazz in the Stables event has sold out, but there are more jazz events with the Jay Rayner Quartet and Claire Martin’s Hollywood Romance and with so many other events to see and experience in the stunning beauty of the Sussex Downs, we look to welcoming everyone to celebrate with us.Tickets for this year’s Petworth Festival are available to purchase online at www.petworthfestival.org.uk, by downloading the booking form and posting it to Petworth Festival 151 Whites Green Lodge Lurgashall Petworth GU28 9BD or by telephone on 01798 344576.For more information, become a sponsor or friend or volunteer, please contact the festival office on 01798 343055 or email info@petworthfestival.org.uk

Royals, Rebels and Romance Tours

1 MAY – 31 JULYJoin a free 45 minute guided tour and discover intriguing stories behind selected royal portraits from Petworth’s extraordinary art collection. Booking Not Needed. Assistance Dogs only are welcome.A National Trust Event – Gates open 10:00. Start 11:30. End 14:30. Free Entry. Tours are free of charge, tickets available on a first come, first served basis from Mansion Reception. Subject to availability. Not available on Bank Holidays. For more details please phone the contact number below. 

JOHN HITCHENS and ANTHONY GARRATT Exploring the Land – Two Ways of Seeing

13 MAY – 17 JUNE

This joint exhibition explores the way two artists have responded to the landscape of Sussex both of them painting en plein aire in an expressive spontaneous manner.  John Hitchens’ work in the exhibition spans a 45 year period from the 1970s to the present day and presents a retrospective of his evolving style.  Anthony’s paintings were all completed over the last year.

Although he has painted much further afield, John’s work is deeply influenced by the landscape surrounding his home in West Sussex.  He also spent several weeks each year staying at Pagham Harbour and in the 1970s created a series of paintings capturing the atmospheric effects of the beach and salt marshes especially at dawn and dusk. The paintings in the exhibition begin with his early representational works in the 1960s through his increasing experimentation in abstraction where sky and horizon are lost in broad gestural brush strokes.

In John’s latest work, gestural evocations of the land are expressed in complex compositions of flat articulate colour.  Reuniting these works separated by so many years reveals fascinating connections and relationships.  The paintings display recurring themes; the rhythms of the seasons, the structure of the land, vistas glimpsed through deep woodland, lines of strata and sediment, contour lines of hills and fields.  The exhibition is an homage to John’s continuing absorption with the organic, changing nature of the landscape whether on a grand sweeping scale or reduced to abstracted patterns of plough lines and hedgerows.  The artist’s eye is continually searching and exploring, never content to stand still.  As John himself says, ‘everything that has gone before is part of what is now’.

Anthony’s work by contrast is concerned primarily with the weather and the physical experience and impact of it on a landscape. He is well known for his spectacular out door painting installations which have featured on National Television.  His latest project High Low completed last summer consisted of one enormous outdoor painting which was left floating on lake Llyn Llydawand and a second painting suspended in a near by disused coal mine.

He researches his paintings by exposing himself to the elements, winter storms, summer heat, racing tides, scudding clouds and eerie moonlight often painting outdoors in all weathers.  A trip to Sussex last year inspired him to return and create the work for this show.

For Anthony, West Sussex from the downs to the coast offered an abundance of sensory information. Starting at Petworth House, what immediately struck him was that the grassy hills and lines from pathways excavated by Capability Brown were echoed naturally further south as he headed through the Downs. As the light hits and shifts around the lake in front of Petworth House, one’s eye is naturally led from tree to curve, to water, to sky.

‘Painting the coast from Selsey to West Wittering is a fascinating and atmospheric journey which feels far removed from the rolling hills of the Downs’, he explained.  Massive vistas and salt marshes enable the experience of raw weather where the continually changing landscape is molded by the tidal state and weather.  ‘The paintings are an impulsive reaction to visiting somewhere for the very first time and capturing the most immediate senses; the sound underfoot, the movement of the weather and land, the smell of the marshes and sea’, he continued

Anthony works by splattering and dribbling, paint across canvases, sometimes mixed with earth and sand, and rust. Often working in the open air, brushes, knives, fingers, palette knives, all play their part and from the seeming chaos an image gradually emerges.

Notes on the Artists

John Hitchens

John Hitchens grew up in Graffham, West Sussex and studied at Bath Academy of Art, Corsham Court.    Both his father Ivon Hitchens (1893-1979) and his grandfather Alfred Hitchens (1861-1942) were painters and his son Simon Hitchens is a Sculptor.  The wooded Sussex landscape nestling below the South Downs has been a major influence on his work but he also spent extended periods painting in Scotland and Wales.  He began his career as a figurative landscape painter but was experimenting with abstraction by the late 1970s.   From 1990 he has painted in a fully abstract style with a restricted palette of earth pigments.  John’s work was exhibited throughout the 1960s, 70s and 80s at the Marjorie Parr Gallery and Montpellier Galleries in London and the David Paul Gallery in Chichester.  His work is in numerous public collections, including Brighton Art Gallery, Bradford City Art Gallery, Brasenose College Oxford, Chase Manhattan Bank New York, and the Towner Art Gallery, Eastbourne

Anthony Garratt

Anthony studied at Chelsea College of Art, followed by Falmouth College of Arts for a design degree. Having worked as a designer for a few years he decided to become a fulltime painter. He is a regular exhibitor at the Royal West of England Academy.  He has also shown at the RA Summer Exhibition and the Royal College of Arts Henry Moore Gallery. This is Bristol  listed Anthony Garratt ‘as the next David Hockney’. Anthony was invited to paint the Diamond Jubilee Pageant from the Millennium Bridge.  He has been involved in three inspirational outdoor projects.  In September 2014 – Alfresco on Tresco in which he worked on four massive paintings in the open air, leaving them in situ exposed to the elements for four months.  He followed this with a similar project from March – October 2015 FOUR Angelsey in North Wales.  In 2016 he completed High Low an installation in the Snowdonia National Park which consisted of one enormous outdoor painting which was left floating on lake Llyn Llydaw.and a second painting suspended in a near by disused coal mine. The installations attracted huge media coverage including BBC & ITV news and a feature on Countryfile.  Anthony has had numerous highly successful shows throughout the UK.

A selection from the exhibition will be previewed in nearby Petworth Park, landscaped by Capability Brown and immortalised by Turner, at The Petworth Park Art Antiques and Fine Art Fair from May 5 – 7.

This exhibition runs concurrently with the painting exhibition:

JOHN HITCHENS AND ANTONY GARRATT 

Exploring the Land – Two Ways of Seeing – see separate press release

THE MONCRIEFF-BRAY GALLERY

Based in a group of 18th-century former farm buildings on the edge of the Petworth estate, the gallery holds regular exhibitions of contemporary art and sculpture. A spectacular oak framed barn houses the interior gallery space, and the surrounding landscaped gardens are an ideal setting for domestic sculpture. The gallery is committed to showing both established artists and those who are not widely represented elsewhere. Just over an hour’s drive from central London, the gallery is located in the heart of the South Downs National Park, enjoying spectacular views over the Rother Valley and up to the South Downs.

ELSPETH MONCRIEFF, DIRECTOR

Former curator and arts writer Elspeth Moncrieff set up the Moncrieff-Bray Gallery in 2005. An experienced curator, she has worked for the V&A, and as a former art market correspondent for The Art Newspaper and Deputy Editor of Apollo magazine. She applies her experience of the international art world to her South Downs gallery.

OPENING HOURS

Wednesday to Saturday 11 am to 4 pm but we welcome visitors by appointment at any time.

FURTHER INFORMATION: contact. Elspeth Moncrieff

mail@moncrieff-bray.com   Tel: 07867 978 414 – www.moncrieff-bray.com 

Petworth Festival Literary Weekend 2-6 Nov

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Petworth Festival is hosting its 6th annual Literary Weekend from 2 November until 6 November at various locations in and around the town including the Leconfield Hall and St Mary’s Church.  With tickets starting from as little as £8 for adults and £4 for children, the Petworth Festival Literary Weekend is a unique opportunity to see and meet a wealth of literary greats, up and coming authors as well as high-profile luminaries with fascinating life stories to share.  Some of this year’s highlights include:

  • Sarah Raven, English gardener, cook, writer and TV presenter;
  • Top novelist and journalist Victoria Hislop;
  • BBC security correspondent, journalist and author Frank Gardner;
  • Former army Chief of Staff, Lord Richard Dannatt

Artistic Director Stewart Collins commented, “The Literary Weekend has proved itself to be a high point in the life of Petworth – and of course further afield. Coming as it does when the winter is just setting in, the kind of events we have been staging have really lifted the atmosphere and given a very dedicated and engaged audience the chance to mix it with some seriously interesting and successful authors right across the subject range from cooking to history to politics and to fiction.”

The Literary Weekend has already established itself as a hotly anticipated event on the literary circuit, with a solid reputation for securing an impressive line-up of authors.  Lovers of the written word can come along to see an eclectic range of writers deliver thought-provoking talks, engage in interviews  and participate in revealing Q&A sessions.  In addition, each performance includes a book signing, kindly organised and managed by Petworth Book Shop, giving ticket-holders the opportunity to purchase the latest published work, signed by the authors themselves, a brilliant souvenir to take home with them.